Take Charge of Your Image
Jessica Myhr is one of NY’s top stylist who works with some of NY and LA’s finest photographers to get the very best looks for each actor in their headshots. Her clients work with her prior to shooting a session and their sessions are always extremely specific. The clothing and colors support and enhance each look without looking pushed.
When you meet a client, how does that first impression guide you?
Before I take on a client, I usually meet with him or her to do an initial consultation, to determine whether I can help that particular client achieve their goals and get a sense of their essence as a person. First impressions in our industry are very important, because as an actor you sometimes have less than two minutes to not only do your work in the room, but leave the room with an impression of yourself, hopefully, something strong, memorable and authentic. When I see a client for the first time, I cannot help but assess them – What kind of energy do they have? What would I cast them in? How do I categorize what they are wearing? And ultimately, does their look, essence and the roles they play match up? Usually, there is some disconnect in one of these areas which brought them to me in the first place. My job is to help the client achieve clarity- that who they want to be and what roles they want to play- become inherent in their image and style.
When color took over headshots, did you see that as a major advantage, or has it become a competition between who has the brightest shirt on?
I do see color as an advantage, especially for actors pursuing film and television. The medium is in color and it makes sense that we can see actors as true to their likeness as possible. Theatre has more range, in my opinion, and therefore more imagination with look and how image can be altered. TV moves so quickly, from the casting to the shooting process, that there isn’t the same amount of time, it is more of a “what you see is what you get” kind of medium. Initially, I do think getting a color headshot was focused on popping bold colors to attract attention. And to some extent still, actors think if they wear a bright colored shirt, they will look better on camera and in photographs. This is not accurate and can be very distracting if it is not a color that makes the actor look their best. When I work with my clients, I do a specific color test to analyze what palette of colors truly make the actor look amazing and draw us to them personally, not just the color itself.
Are your clients skeptical of the process at all? Do you get “Why do I need this?” If so, why do they?
Yes, I think in this business a lot of people prey on the gullibility of actors. They should be skeptical. Most of the clients that come to me know that something isn’t working; whether it is picking out a great audition outfit, prepping appropriately for a headshot session, or working on their image as a brand. They come to realize after a few sessions with me that their image is vital to working as an actor and communicating accurately what they are selling. What is an actor’s business card? A headshot. We are not just names on a card, but an image is associated with our name. Our image IS our product before people in the business can identify our work as artists. If you are confused about what your image is saying in the room, it’s time to do some homework, like any smart company would and devise some strategies about where you want to be. I tell many of my clients, the one thing you can control in the audition room is your image…what do you want it to say?
If you are interested in working with Jessica, contact her at:
jessica@inherentstyle.com
Talking Headshots with Bill Strong, NY Headshot Photographer
Headshots are the #1 business tool needed by every actor. But getting your best headshot isn’t always easy. Today we’re speaking with NY Headshot Photographer Bill Strong on headshots.
When should an actor get new headshots?
You should get new headshots whenever your LOOKS CHANGE in a NOTICEABLE way. It is definitely time for new headshots when people start asking you what year your photo was taken or how much WEIGHT you have LOST or GAINED since having them done! Another common reason actors update their headshots is when they have a major HAIRSTYLE CHANGE or HAIR COLOR CHANGE. Younger actors tend to get new headshots more often as their looks change more frequently. CASTING people EXPECT you to LOOK LIKE your HEADSHOT and are often FRUSTRATED if you don’t. The last thing you want to do is make a casting person feel like you have WASTED THEIR TIME!
I’ve got a friend with a digital camera….can he take my headshot?
I’ve got a friend with a scalpel….can he take out your appendix?
Seriously….we all know that trying to be an ACTOR is one of the MOST COMPETITIVE professions that ever existed….way before the economy tanked! Getting GREAT HEADSHOTS is probably the most IMPORTANT INVESTMENT you can make in your CAREER. There are some struggling actors who spend over a thousand dollars for headshots!
CASTING DIRECTORS and AGENTS sometimes get hundreds of PROFESSIONAL headshots submitted every day and they can SPOT an UNPROFESSIONAL one IMMEDIATELY! You may shoot with a friend and THINK you have FOUND a HEADSHOT you can use. But I can almost assure you that the feedback you will get from INDUSTRY PROFESSIONALS is that you NEED NEW HEADSHOTS! Don’t waste time, money and an opportunity to PRESENT YOURSELF as a PROFESSIONAL. Remember…you can’t make a FIRST IMPRESSION TWICE!
How do I choose a headshot photographer?
REPUTATION…QUALITY….PRICE…EXPERIENCE WITH ACTORS.
Nowadays…..a lot of people shop for things online. HEADSHOTS are most often SHOPPED ONLINE because the PRODUCT is what you see ON your COMPUTER SCREEN. Recommendations from fellow ACTORS and INDUSTRY PROFESSIONALS is a great place to START. But the BEST WAY to get a FEEL for a PHOTOGRAPHER’S work is to VISIT and STUDY their WEBSITE! When visiting a headshot photographer’s website CONSIDER…..
• Are there TEN sample headshot photos or over a HUNDRED sample headshot photos?
• If there are a lot of headshot photos are the FIRST TEN IMPRESSIVE and all the REST go DOWN HILL from there?
• Is the STYLE of the headshot photography CONSISTENT or INCONSISTENT?
• Are there extremely BIG DIFFERENCES in the LIGHTING, BACKGROUND and COMPOSITION of the photos (what will you get)?
• Is there NO DIFFERENCE in the LIGHTING, BACKGROUND and COMPOSITION of the photos…(will you get the same pictures as everyone else)?
• Is the PHOTOGRAPHER someone who SPECIALIZES in ACTOR HEADSHOTS or really FASHION, CORPORATE, WEDDING, PRODUCT, SPORTS, LIFESTYLE, etc. and just supplementing their income shooting actors?
• Does the photographer CHARGE nearly or over a THOUSAND DOLLARS because they have sample photos of CELEBRITIES they photographed for FUN or as PUBLICITY photos and NOT as HEADSHOTS?
• Does the photographer charge only $99 but SHOOTS only UNDER BRIDGES, in PARKS and various STREET LOCATIONS because they have NO STUDIO or known address?
• CHOOSE a headshot PHOTOGRAPHER with a great REPUTATION…high QUALITY…reasonable PRICE and lots of EXPERIENCE WITH ACTORS
For more information on Bill Strong, check out his website at BillStrongPhotography.com
List of 84th Academy Award winners “The Artist” earns best picture, lead actor
The Oscars have come and gone. Here are a l
ist of the 84th Annual Academy Award winners announced Sunday:
1. Best Picture: “The Artist.”
2. Actor: Jean Dujardin, “The Artist.”
3. Actress: Meryl Streep, “The Iron Lady.”
4. Supporting Actor: Christopher Plummer, “Beginners.”
5. Supporting Actress: Octavia Spencer, “The Help.”
6. Directing: Michel Hazanavicius, “The Artist.”
7. Foreign Language Film: “A Separation,” Iran.
8. Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, “The Descendants.”
9. Original Screenplay: Woody Allen, “Midnight in Paris.”
10. Animated Feature Film: “Rango.”
11. Art Direction: “Hugo.”
12. Cinematography: “Hugo.”
13. Sound Mixing: “Hugo.”
14. Sound Editing: “Hugo.”
15. Original Score: “The Artist.”
16. Original Song: “Man or Muppet” from “The Muppets.”
17. Costume Design: “The Artist.”
18. Documentary Feature: “Undefeated.”
19. Documentary Short: “Saving Face.”
20. Film Editing: “The Girl With the Dragon Tattoo.”
21. Makeup: “The Iron Lady.”
22. Animated Short Film: “The Fantastic Flying Books of Mr. Morris Lessmore.”
23. Live Action Short Film: “The Shore.”
24. Visual Effects: “Hugo.”
